- How can I use the scale of the experiment to dictate the form/legibility of the 3 planes?
- How do I understand and work with the physical limitations of the eye?
- How can one typeface exist in both two and three dimensional forms?
- How do the experimental forms exist? (materials, spaces)
- How can the viewer not just participate in the process but help develop it?
- How can the space used for experimentation be manipulated or changed through the typography?
- How does the type remain the focus of the experiment and not the surroundings, illusion or space?
- How can the type change or move over a period of time?
- What messages can encourage or emphasize the form?
- Can the message or form be altered through the use of different materials and locations?
Thursday, March 31, 2011
Type Experiments: 10 Questions
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ReplyDeletei just lost a huge post here. crappy crap. let's talk in person on monday. keep moving forward with #3, and consider numbers 4, 9, 10 as you work. those are kind of sub-questions that can apply to lots of this work.