Friday, February 17, 2012

Poetic Monument: Ausdauer










Final Drawings:


In German, Ausdauer means “endurance and perseverance.” Literally translated, it means “staying power” or timeless. Our poetic monument is to the calligraphic, german hand Fraktur. The qualities we identified were repetition, equal strokes, and conscious angles. We chose to place the monument in Nuremberg, Germany.Because this was where Fraktur was designed by Hieronymus Andreae. To show the fluidity and meditation of the hand, we chose to place the monument in the river that runs through Nuremberg. A park stands on one side of the river with residential neighborhood surrounding both sides. We abstracted the fraktur alphabet into strokes. Each structure stands with equal distance between the representational “strokes.” This shows the rhythm and structure of the letterforms. The word shown is “Ausdauer” beginning with a capital, red, “A.” The supporting dock that surrounds the monument allows the viewer to see and appreciate the power and height from all sides. The monument reflects in the water and allows for the natural flow to move in and out of the strokes. These structures are made of coated iron to prevent rust in the water with the capital painted red. We chose to make the forms hollow on the inside and allow the wind to move over the tops of the structures which produces a slight humming noise. This represents the meditative quality of lettering calligraphy.

Ausdauer represents the enduring qualities of fraktur; authority through size, enduring history, meditative fluidity in sound and location, and structure in form.

Friday, February 10, 2012

Calligraphy Monument: Fraktur 02







*The sound made from the monument will be similar to the singing ringing tree that uses the wind and hallow tubes to produce a calm, meditative noise.

The dock will hold a plaque that explains the monument as visitors are allowed to walk around the meaning of Ausdauer. The following text is what we plan on telling visitors. Obviously, this will be read in both German and English as they are the primary languages of the area (95% German, 51% English).
"Fraktur blackletter figures were first designed by Nuremberg native, Hieronymus Andreae for Holy Roman Emperor Maximilian I (c. 1493–1519). The term Fraktur is derived from the Latin term "to break" and calligraphy from Greek meaning "beautiful writing". This calligraphic hand is made up of repetitive strokes of the same weight with broken lines and a consistent angle. The process of calligraphy emphasizes harmony, consistency and retains a meditative quality. After its creation, Fraktur soon became the primary typeface of Germany and the surrounding countries and was set until the 20th Century. Today, Fraktur remains a reminder of rich history and significance to the German culture."

Monday, February 6, 2012

Calligraphy Monument: Fraktur



Ian and I have finalized our location to a river called, Wรถrhrder See. This remains in Nuremberg, Germany but doesn't call special attention to the creator of fraktur. We chose to place it in the water because it is a symbol of the fluidity of the form and process of creation while, at the same time, keeping the rigidity and authority of the letters themselves as well as their printed structure. The sound of the water hitting the monument will act as a calming and almost meditative sound through it's repetition. We chose an open location by the river that has a dock and friendly setting without obstructions.

The standard height of a room is 8'. This is the base for our x-height which would make the final monument 14' above water level. The river runs around 9' 10'' at it's deepest point. The monument will equal 15' below the surface of the water. Each structure will be placed one unit apart from the other. Our drawing is .5'' = 1' scale. The monument would be 194' long. The width is 2'. Monument = 2' x 2' x 4' (or 29' for ascenders) solid iron structures. The top of each stroke will angle at 15° this adds an additional .5' on the height.

We chose iron ore as our material because it is a natural resource found in Germany. This material provides a solid structure that can embody intimidation and authority as well as impress the viewer.

Aerial Location View:

Initial Concept Mock-up:




Concept Sketches:



Direction Board:


Thursday, January 26, 2012

Poetic: Defining Idea

Ian and I would like to recognize the elegance and emotion of calligraphy. We have identified a few characteristics associated with calligraphy that will help direct our form. These include; motion, strokes, ink, texture, content, and special attention to curves and angles. The location should inform the history. Because there are a number of different histories (arabic, chinese, german, etc...) we would like to choose one and focus on it's individual the qualities and meaning.

We want to focus on the movement within the restriction of German Blackletter. Here, the characters are disciplined yet fluid and spontaneous (much like Rococo Architecture :) We also want to show the fragility and the importance of the paper. We're thinking Nuremberg, Germany...

cal·lig·ra·phy

 [kuh-lig-ruh-fee]
noun

3.
the art of writing beautifully: He studied calligraphy when he was a young man.
5.
Fine Arts . line or a group of lines either derived from or-resembling letter forms and characterized by qualities usually associated with cursive writing,
especially that produced with a brush or
pen.


Tuesday, January 24, 2012

Strategy

Where I am Going
I usually start a project or idea with irrational ambitions in mind (which is the best place, I think). In the design department, I have learned the value of planning and setting achievable goals. This applies to my pursuit of a job post kcai. Yes, I am willing to move almost anywhere, but I love Kansas City. Yes, I am interested in working for a well-known design studio with award-winning work, but I can see myself fitting in many places doing a number of different things. To help narrow down my options, I have to focus on things that are actually important to me as well as something that I feel will sustain me long-term, although it is difficult to tell exactly what that is right now. These include; flexibility in form, resources to pursue innovative ideas, an amicable environment, and a concern for social and environmental "good." It is extremely critical that the work I am doing is not lacking in purpose or overall meaning. Based on my interests during school, I am pursuing work in three different fields that provide a place for graphic designers; architecture firms, small branding/identity studios, and non-profits.

How Will I Get There?
Good question. I will start through obviously methods; perfecting my portfolio, producing a solid website, and engineering my resume. I need to make sure I show work that is diverse enough to be thrilling, but tailored enough to fit the position I am applying for. But this doesn't make me indispensable to future employers...

From high school through college, almost every single teacher I have had the privilege of learning from has told me to "speak up" in class. I shouldn't say how many times I have been downgraded on participation alone. This has to change. I have a lot to learn, but I should be confident and proactive in my work, opinions and sharing. I will continue to work on this because it will only be more difficult outside the classroom. In addition to that, no one is interested in hiring a seemingly passive employee. I am resigned, but I am not apathetic. My work could be as innovative and beautiful as ever, but without this I will not stand a chance against competitors. I should talk about it...openly.

In addition to this, my strategy to achieve my career goals will require active use of my resources. This includes asking questions and opinions of designers and design-enablers that I have been put in contact with in the community. Internships have been a great way of finding answers to my questions and concerns about the field, but have also proven to be a great asset at meeting new people (i.e. that devious word, networking). Over the past year, I set up a few informational interviews with various designers in the area that I had previously been put in contact with. This allowed me to question their company to try and understand where I fit best. These have been and will continue to be helpful as I narrow down my goals for the future. Of course, this is a form of research which is probably the most important step I am taking towards finding my puzzle piece employer. At this point, I have gathered a list of future employers that fit most/some of my criteria both in Kansas City and a few other choice locations. My next few steps involve active pursuit of them. This will happen not by applying, but proving.

Monday, January 23, 2012

Degree Presentation

Degree Presentation

Monday, November 21, 2011

Monday, October 17, 2011

Reading Response: Screenspace

The computer is a tool, entertainment, and portal that represents space. Defining this space requires giving the user a chance to see, feel and discover a place that has the ability to mirror "domestic truths" such as shelter, warmth, personality, and even senses like smell. It is a myth that the space on screen is flat. The user will always prove to be an unpredictable audience. This must be accounted for by addressing what is both surrounding and inside the technology which make up the journey of moving through information and interactive environments. This definition of uncharted, customizable space brings a new set of boundaries that are constantly changing in response to new technologies, economy and the user. The challenge for the designer is to claim, react, and shape this new territory by thinking beyond these.